Am I there yet?

Someone once said to me that when you get a horse to Prix St Georges level you are half way to Grand Prix. At the time I didn’t believe it, I was in my top hat and tails, doing changes and pirouettes (well sort of as I have since discovered!) so Grand Prix seemed like it was just around the corner. Only it wasn’t, the years have passed, many horses have come and gone, until this year and we finally did it! A Grand Prix!

 

Statistics say that 1 in 20 PSG horses make it to Grand Prix, I would have said it is less than that. Either they break down physically with the extra stress on joints and ligaments, or develop too much negative tension when their mental ability is exceeded. It takes a clever rider too to produce the horse and work around any problems they will no doubt have to resolve along the way. My story will hopefully show it can be done on an ordinary horse, not costing a fortune, but with a lot of hard work and dedication.

There's more than one way to skin a cat!

I have to say it has felt like learning to ride all over again. I thought after getting an amazing 68% with my horse Try Me Once (A Dutch fifteen year old gelding by Montecristo) in our first Grand Prix, I should probably retire him as I couldn’t see it happening again, surely it was a fluke! But we have been out again, twice, and managed two 65% scores; with mistakes. So I can now finally call my horse a Grand Prix horse and I have properly earnt my tails. My top hat doesn’t come out of the cupboard anymore though, I never thought I would be the one choosing to wear my safety hat, but I love it now.

At my latest show I competed along side friend Georgina Stuart and her lovely horse Ehrendour ( a 16 year old gelding by Ehrentusch) who I have watched over the years on her journey from Novice to Grand Prix. I spoke to her about the challenges for us as riders in producing a horse to top level. Georgina bought Ehren as a 3 year old after no one bid on him at the Brightwells sales and has trained him herself, with the help of good trainers along the way. I was lucky enough to be allowed by Georgina to sit on him as a youngster and felt he was amazing back then so am not surprised she has reached the ultimate goal.

Georgina and I both agree that we had not decided we were trying to get to Grand Prix, but simply taking it one level at a time and trying to get as far as we could! She and I are very similar thinking, in her words ‘its important to be very open minded and flexible. Watch others, read, ask and try to be creative to solve issues – and remember there is more than one way to skin a cat! If you do what you always do you get what you always got!’ A moto that my partner frequently quotes at me too!

I would have to get used to that 'hot' feel!

I mostly rode young horses for twenty or so years as I ran a yard, buying, selling and training youngsters, reschooling difficult horses and working with all different types and breeds. Mostly they didn’t stay around very long, the nicer they were the quicker they sold or went home. I had trained eight horses to Prix St Georges. Then with one mare, Ma Cherie IV, I went on to do a few Intermediare 2 classes but although she found passage easy she was very long and found sitting difficult and piaffe virtually impossible. As I was never in a position to buy myself a purpose bred dressage type and keep it I never really expected I would get to Grand Prix, I mostly got to keep the unsaleable ones and other people’s problems. Therefore Grand Prix was rarely in my mind when I tried a horse. I liked riding the ones that gave me a good feel and that were trainable. I was never the bravest, despite having started off eventing in my youth, and only having an outdoor arena with no fence I did like to be in control and never liked the ‘hotter’ ones!

I learnt along the way that although I could train horses to do the movements, they all needed to be quicker off my leg in order to get the reactions needed for the Grand Prix work. Temperament was key, how could I get those reactions whilst remaining in control? I would have to get used to that ‘hot’ feel!

My Grand Prix ride ‘Theo’ or ‘Try Me Once’ came to me as a ten year old. He was rather troubled and looked worried when he was delivered to my yard to be sold. He had already had many homes, quite a few owners and lots of riders. I was told by several people not to ride him, he was ‘dangerous’. Well he had ditched several people but he was frightened, not dangerous. He didn’t like other horses coming towards him, so worried about going left to left.

Because of these quirks Theo wasn’t really saleable, but there was something I liked about him. So I bought him, for a knock down price. He had fabulous flying changes and did seem to like work, just not busy arenas. Shows were fun once you got in the test arena as you could feel him start to relax and breathe as he then had the arena to himself. He was a joy to load, travel, tack up etc so I could easily take him around by myself with no groom. Our warm up however was not conventional. I listened to him and didn’t make him face his fears. I spent four years warming up on the right rein so that I was in the middle of the arena and not squashed between the wall and an oncoming horse. I left the warm up arena when it got too busy. We managed two winter regional wins at Patchetts in 2010 with minimal warm up, then walking round the car park for ten minutes. Gradually he got better and after five years with him we finally celebrated going left to left! 

So I never imagined what level we might get to, I just kept training, competing and progressing. My lifestyle is crazy, I run a yard (with seven horses at present), no staff but a lovely, helpful and understanding partner, teach about thirty lessons a week, and we have started building a house too. This leaves little time off to go and have training myself. I have had invaluable help from Isobel Wessels but she is very busy too so finding a time to see her is hard. She is though very understanding of his problems and weaknesses.

She has to Piaffe, not you...

Georgina feels that for an inexperienced rider to train at advanced level is not for the fainthearted, it needs a calm horse that won’t get flustered when you don’t get it quite right, a patient trainer with great empathy.  She spent a week every month for a year with hers!  Now it’s more about tweaking and perfecting she manages just once or twice a month.

Passage is easy for Theo, he enjoys it, and I made myself problems I suppose by ‘playing’ with it before we established his understanding of piaffe. He found it very difficult to accept someone on the ground alongside him and this is where Isobel was brilliant. She is so quiet and calm, and worked out quickly that when he worried, she would stay walking along side but stop asking anything but just keep walking, and talking to Theo. Only when she saw him relax would she continue to ask anything of him. So gradually he built up trust.

It is still our hardest part of the test, he used to try so hard but get croup high and push out behind with his hindlegs and then couldn’t work out how to get his shoulders out of the way. So tapping him on his rear end didn’t help, it just made him go higher behind. Now a tap down the shoulder encourages him to lift his shoulders and he is starting to lower his quarters. A revelation for me came recently when riding a twenty three year old former international Grand Prix horse who loves to piaffe and does it really well and in a classically correct way. It felt so easy, so balanced, so uphill and what’s more, I did so little! It gave me a totally different feel and I started to think about piaffe differently with Theo. I had to make him hotter and quicker off my leg, so I could do less in the actual movement, ask him, then let him do the work. I do remember Dane Rawlins, who trained me for many years tapping me on the bum with a piaffe whip on my old mare saying quite rightly, ‘she has to piaffe, not you!’

I suppose now that I have experienced Grand Prix, when I am riding my others I am looking at my training slightly differently, I understand what ‘off the leg’ can feel like. I now expect a quicker reaction, and insist on one, so that I may take my leg off and they keep going. I would love to train more horses to the ultimate level too. Georgina felt that before riding at Grand Prix she would only introduce a move as required at the next level, ie half pass for medium. Now she feels she pays more attention to the scales of training and how the new movements improve the horse physically for the higher levels.

I am unusual in that I don’t ride my horses that often. Originally because I just didn’t get time to do them most days, but now I have relaxed and realise they are all going better because of it! Sadly in 2014 I lost my father and had to fly out to California to be with him before he died. My horses were not ridden for a week before the regionals but had a few lunge sessions with good friends. That year I won six regionals, and a national title and it made me re think. I try to make sure they do something every day, whether it be schooling, hacking, a quick lunge on a head collar or time out in the field. I love to see them able to stretch and work over the back, with no tack on, no restraints. I even like to jump them when I can, not big as I am not that brave but to make them gymnastic and to give them a bit of fun. I do a lot of my training in a snaffle. Theo was trained all the way to Grand Prix in his snaffle. I competed to Intermediare 2 in it and still do most of my daily training in the snaffle. The Grand Prix tests I have ridden in a double to get a little more refinement and I find I can get more bend and softness to the bend in the half passes.

The horses do however have to be fit enough, and strong enough, to cope with the demands of the work. I don’t start mine too early. The three horses I have now I bought at ten, eleven and twelve years of age. Granted its probably too old to make an international Grand Prix horse but then that isn’t a realistic goal for me. I don’t have the time, or the funds to do competitions like that. For me, going to the Regionals twice a year, and the Nationals if I am lucky, is a major logistical nightmare. Trying to arrange yard cover for one, time off earning money, and transport issues. I have an old Rice trailer, towed by a Land Rover. A lovely friend lends me a little lorry to stay in and take another horse but it is hard work!

For me temperament is key, the horses have to want to work, you can’t make them, well not at that level anyway. Good movement obviously helps. My middle horse Mi Amigo (Zardin Firfod (Gribaldi)/ Lauries Crusador) has super paces with a hind leg that comes underneath him naturally. He is however rather lazy and it has taken me a long time to teach him flying changes. But that is probably more due to the fact that he spent six years not working after being backed and then competed as a five year old. He still thinks he should be on holiday! Georgina’s key qualities she feels are necessary are a genuine and generous nature, intelligent, with a natural uphill balance and active hindleg.

As a rider I think you need to be fit too. Luckily for me this is not too much of a problem as I am doing a very physical demanding job, and ride at least 4 daily as well as sitting on lots in lessons, and generally walking about whilst teaching all day. I often don’t finish teaching til 9pm and rack up a lot of steps per day as totalled by my Nike Fuel Band which is a bit of an obsession of mine. Georgina said ‘The fitter you are the better of course, as you can better control your body thus improving your balance, harmony and clarity of aiding.  I do a weekly pilates session and ride daily.  As important must be to train the horse to be responsive, in self carriage and good balance – so it is not just a rider strength issue.’ She summed it up well with this statement ‘Coordination of mind and body is absolutely key rather than pure strength – definitely the sport for the thinking rider with empathy’.

Judging has helped me enormously as a rider

Judging has helped me enormously as a rider. I know what the judge is looking for, I am used to seeing a test from the judges’ point of view and I get to see the common mistakes that people make. Then all I have to do is make sure I don’t make those mistakes! Presentation is key, I came from a showing background so for me turnout and ringcraft are vital.

Both Georgina and my goals were originally the same, we wanted to reach the magic 60%. This was possible with a mistake free test. Georgina felt that as her piaffe and passage improved she crept nearer to 65%. The piaffe passage tour is so influential as it represents over a third of the marks.

‘Big scores are not a realistic goal for me.  My reward is the joy of riding my lovely horse over the last 12 years and sharing the wonderful moments that have taken us along the path to Grand Prix – we have about 100 BD points at that  level now. It has kept me slim, fit and mentally sharp – not bad for 70 next birthday!  And best of all that Ehren is in the best shape ever and happy in his work!’

As for me I am just having fun with Theo and proud to call him my Grand Prix horse! A thrilling part of this training for me happened at a recent lecture demo when swapping horses with an event rider and he was able to ride passage and one time changes on Theo, showing me my training was correct and I had a happy athlete!

 ……..but a little bit of me now wants to get to the magic 70%………. I can always dream!